The shooting of the Back to the Future sequels, which were shot back-to-back throughout 1989, reunited much of the crew of the original.[9] The films were shot over the course of 11 months, save for a three-week hiatus between filming of Parts II and III and concluded in January 1990. The most grueling part was editing Part II while filming Part III, and Zemeckis bore the brunt of the process over a three-week period. While Zemeckis was shooting most of the train sequences in Sonora, Gale was in Los Angeles supervising the final dub of Part II.[9] Zemeckis would wrap photography and board a private plane to Burbank, where Gale and engineers would greet him on the dubbing stage with dinner. He would oversee the reels completed that day, and make changes where needed.[9] Afterwards, he would retire to the Sheraton Universal Hotel for the night. The following morning, Zemeckis would drive to the Burbank Airport, board a flight back to the set in Northern California, and continue to shoot the film.[9]
Back To The Future Part III Download Movies
Actually, I've played the same scene in that film (Time After Time) and in (BTTF) 'Part III,.. I've had a man from a different time period tell me that he's in love with me, but he has to go back to his own time. My response in both cases is, of course, disbelief, and I order them out of my life. Afterwards, I find out I was wrong and that, in fact, the man is indeed from another time, and I go after him (them) to profess my love. It's a pretty strange feeling to find yourself doing the same scene, so many years apart, for the second time in your career.[35]
They find that Edna is trying to guide Emmett's scientific genius towards law-abiding, social conditioning technology. Though Marty insists they help Emmett to get back on his own work, Brown becomes concerned that Marty couldn't care less for Edna's or Brown's own future, and he drives off. Marty successfully breaks Emmett's and Edna's relationship, and Emmett comes to realize science is his true calling.
Doc and Marty return to 1986, where Marty finds nearly everything is the same as when he left. In this timeline, however, Doc had never disappeared, instead staying part-time in his father's home along with Clara and his children. Furthermore, Edna and Kid Tannen have become married since their time in jail, and her own personality has turned around for the better. Doc presents Marty with a book, "The McFlys of Hill Valley", as a graduation present, which was the original reason he traveled back to 1931. Suddenly a familiar light and sound ring through the neighborhood. They are both surprised when three separate DeLoreans appear, and future versions of Marty demand that Doc and Marty come with them to correct the future. In a surprising reversal of roles, Doc is now the one to ask Marty of the future if they "become assholes or something". As the future group of Martys argue which is the correct future, Doc and 1986 Marty take off into time in their DeLorean. The exact time they head to is undetermined. The Game ends with "To Be Continued" displayed on the screen, inferring that there could quite possibly be a second season.
INTRADA Announces:BACK TO THE FUTUREComposed and Conducted by ALAN SILVESTRIINTRADA INT 7144For the 30th anniversary of Back to the Future and coinciding with the date Marty McFly travels into the future to save his children, Intrada presents this reissue of Alan Silvestri's stunning and spirited score that kicked off an adventure that spanned three films. Intrada premiered the score in 2009 with a 2-CD set, now out of print, featuring the score as it was heard in the film on disc one and an earlier, unused version of the score as a bonus on disc two. This new single-disc release features just the score as heard in the film, rebuilt from the ground up including new mastering and updated packaging to deliver a crisp, vibrant punch. Intrada worked from transfers of the original two-track elements housed at Universal Studios.The 1985 Robert Zemeckis hit needs no introduction. Executive produced by Steven Spielberg, the film is a flawless production about a teenager (Michael J. Fox) who inadvertently goes back in time 30 years and must help his parents fall in love in order to preserve his own future. The result is one of the most entertaining sci-fi adventures ever produced. One of the many elements that contributed to Back to the Future's success is Silvestri's adventurous, exciting score. Its impact has been so widely regarded that it has become part of a traveling repertoire of films being shown with live orchestra performing the score in concert halls around the world. And while the score was an integral part of the film's overall experience, it was relegated to only two tracks -- a mere sampling -- on the original soundtrack album released in 1985. The MCA Records release focused primarily on the songs from the film, including the Huey Lewis and the News hits "The Power of Love" and "Back in Time." But a few minutes of score was not quite enough, and for years, collectors of film music and fans of the movie pined for a release of the complete score. The 2009 Intrada release reconciled that and this new release keeps this important score in print. For complete information regarding music for the Back to the Future trilogy, please visit For the latest news in Back to the Future, be sure to visit INTRADA INT 7144Retail Price: $19.99PRE-ORDERS Accepted 10/12For track listing and sound samples, please visit:
INTRADA Announces:BACK THE FUTURE -- PART 2Composed and Conducted by ALAN SILVESTRIINTRADA Special Collection Vol. 336Joining Intrada's reissue of Alan Silvestri's Back to the Future score album comes the long-overdue expanded edition from Part II of the franchise, previously only available on a long out of print MCA album. The score, like the film, picks up where the previous film leaves off, but then quickly travels into darker territory reflecting the grim world of the alternate 1985. Things are dire in that 1985 and the score emotionally takes the listener there. It's a brooding and more contemplative work, up until the included teaser for Part III, which introduces the rambunctious direction the film and score will go in the final installment.Unlike the analog recording for the first film, Part II was recorded digitally on the now defunct Mitsubishi ProDigi format, but fortunately Warner Bros. Sound still had a machine that facilitated the new transfer. The restoration was performed by the trusted hands of Mike Matessino, who assembled a 2-CD set of everything recorded. The first disc runs 65 minutes and features the score as heard in the film. The second disc of extras features alternates. Taking place right after the first movie ends, Marty McFly flies to the future in an attempt to thwart the antics of his son. Marty's seemingly innocent purchase of a sports statistics almanac in 2015 to help give himself a better future goes awry when it falls into the hands of Biff, who goes back in time and secures his own better future -- a dark and gloomy 1985 for everyone else. In order to set things right, Marty must once again travel back to 1955 to intercept the almanac before Biff has a chance to use it.For complete information regarding music for the Back to the Future trilogy, please visit For the latest news in Back to the Future, be sure to visit INTRADA Special Collection Vol. 336Retail Price: $29.99PRE-ORDERS Accepted 10/12/2015For track listing and sound samples, please visit:
After one Back to the Future episode just for our Patreon supporters and another episode for everyone, we have arrived at the third and final podcast dedicated to the comedic sci-fi trilogy. Joining Bob and Jeremy once again are Henry Gilbert and Dave Rudden. This time, we made sure to cover all the games we didn't get to in Episode 336, even though the software deserves far fewer kind words than the movies do. However, we purposely left the 2010 Telltale adventure game aside for more in-depth coverage in a future episode. Please look forward to that conversation in 202X!
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